In the summer of 2000, Team Dandelion UK was contracted by The Learning Channel to produce an hour long special on the Bermuda Triangle. Producer Bruce Burgess approached me as his consultant. Part of my responsibilities were to line up some contacts for him for location filming and provide interviewees and archival and historical information, including photos. Bruce wanted the show to have a ready cache of possible answers for the disappearances. Shooting was scheduled for late November/early December, so Bruce could also film the December 5th Flight 19 Memorial Service at Hollywood/Fort Lauderdale Airport, the site of the old Naval Air Station from which Flight 19 left 55 years ago to the day.
   I arrived in Fort Lauderdale the night of December 2nd, 2000. The next day I met the all-British crew. We were soon off in two cars to cross Florida to Venice and Fort Meyers: Sarah, Bruce and I in the lead car, and the crew driving a van.
   Our first destination was Venice, to interview William A. Kittinger, who, as an air traffic controller on St. Thomas, was on duty the night of November 3, 1978, when one of the
strangest disappearances in Triangle history happened and he was an eyewitness from the tower.      

   Late-morning we arrived at the Kittinger’s. “Al,” as he likes to be called, is no longer in air traffic control and hasn’t been for years. After losing his job with all the traffic controllers who were fired with the strike, he became a fisherman in the Bahamas. He now teaches Taekwondo. Twenty two years after the incident to which he was witness, I finally found him and spoke to him about it. I sent him a copy of the report, and Sarah called him from London to arrange the interview.
  Despite being nervous over it, he did great. As always, those who are the most nervous do the best!

Setting up at Al and Carol’s.  Al is saying something to me while I snap the shot. If Sarah, our Production Manager, worked at a carnival she would be juggling cell phones. She was always busy keeping us on schedule, in the right direction, and keeping everybody happy. Martin arranges the background lighting, and our sound engineer Robbie (crouching on the floor), is checking his equipment.

We’re coming close to filming. Sarah rushes in to do some last minute grooming.

Al is going over the NTSB accident summary of the events that night. Bruce gives the usual pre-shoot advice and instructions: remember my voice will be cut out of the final footage, so always put part of the question in your answer; be relaxed; don’t look around too much; don’t look at the camera.

We’re almost ready. Bruce studies the monitor to see what Al will look like. Sebastian, our Director of Photography, is ready with the camera. He announces “Speed . . .4  . . . 3 . . .2 . . .”  the questions begin.

Carol watches in the background.

A tape change usually happens at the moment when the interviewee is saying something really good. Sebastian prepares to load the next tape as Martin marks the used tape and prepares it for storage. Bruce chats on.

Al & Carol treated us to a lunch afterwards while the crew cleaned up. Sarah is calling Don Poole, our next stop.

We chatted with Don Poole while the crew sets up. Captain Poole was far more frank off camera about his feelings of what happened on December 5, 1945. As Flight Officer, he took over the proceedings and tried to guide the planes back to land. He took a lot of heat from some people.

Ready. Here he is with Bruce, being lined up for his shot. Robbie is in the foreground preparing his sound.

Captain Poole’s walls are covered with momentos of his Navy career, which spanned 1941 to 1963 when he retired as a Captain. That one awful day, “The most horrible day of my life” as he recalled, is what he is asked about the most. Here he is in 1957 awarding Maureen O’Hara the ribbon for “Miss Naval Aviation” after her part in the John Wayne movie “Wings of Eagles.”  Don was in PR in LA at the time.

Courtesy of Captain Don Poole, USN Rt.

Welcome to Florida! Don Poole, now 85, lives in a nice house on a retirement villa. Ducks aren’t a problem, but please, please don’t feed . . .yes, that’s right.

Chatting outside afterward. Sebastian is checking the Zapruder. Sarah is on the phone again. Bruce looks on.

  The next day, we split up. Bruce and the crew went to Kissemee to meet the Avenger and then film it from a chase plane. I would stay at Fort Lauderdale NAS, do some fo my research and help out Alan to prepare for the service the next day. I would greet the Avenger and take our second unit cameraman, Matt, back to Miami that night.
  It was several hours after the Avenger was supposed to arrive. They had turned back and dropped Matt back at Kissimee. I had been waiting with Brian Combs, a sea cadet and the youngest member NASFTHA. Finally, near dusk, without any advanced warning, a big bright blue Avenger taxied toward the Jet center. I got up and starting taking these shots.

Pilot, Jim Clevenger, and his co-pilot start to bed the Avenger down.

The next day promised to be busy. We had a late dinner at the hotel and were ready early to head up to Fort Lauderdale.

The service did not start until 2 p.m., so from 9 am to lunch we got the interviews out of the way. Mine was first. We used Alan’s office at the old Link Training Building, the last building of the NAS still standing aside from the old guard hut.

Time to lose weight. Why do I always look sleepy and like I haven’t shaved? Sebastian puts some makeup on me during a break. I started to “shine.”

David White gets ready. He’s also been on Discovery a number of times as well and is a frequent guest speaker at the Memorial Service.

  Alan was next (but I have no pics of it.) Then I had to rush off with him and find David White. Dave was a senior flight instructor at the time and also one of the search pilots. I had spoken to him a number of times for my History Channel piece and for my research of the search for the planes and on the capabilities of the Avenger. He very articulate and quite nice, and  always very helpful on the Avenger. He lives in Michigan now, but confesses he’s a “snowbird. Every winter he heads down to Florida to spend time with his son, J. Brad White.  

The days rushed on. Bands and honor guards were arriving one after another.

NROTC practicing by the Memorial.

It was the coldest and worst day Florida had had in a long time. Rain forced us to move the entire service inside— inside the bay of the fire department. With a backdrop of firemen’s lockers, the nature of the service lost some of its meaning.

Guest speaker General Jerry McAbbee. Matt stands behind him with a Zapruder.

Rita Smith next got up to read her husband’s speech on George Francis Devlin. Bill Smith is now in a wheel chair but recalled his days as an Avenger pilot and friend of George Devlin. They went through training together: Bill as a pilot and George as gunner. Later both were stationed aboard the old Enterprise in the Pacific. George had enlisted under a false name, Bob Harmon. On December 5, he was C.C. Talyor’s gunner.

After the ceremony Bill & Rita Smith went to the memorial again to pay their final farewell to George Francis Devlin. Rita later found Weldon Richman for me, Bill’s old radioman. Weldon and I had a good conversation on George and he is sending me some home photos of his visit to Weldon’s home in Utah when they were transshipping across the country to their next base.   

Bill and Rita went to the memorial and allowed us to film them paying one last tribute to George.

A major amount of filming began after the service was long over and the crowds gone. The introduction to my piece is done with me walking around the Avenger. I’m told I’ll appear throughout since I was interviewed on many topics, but mostly I’ll be associated with Flight 19.

Bruce gets his cue and is at it again. He is doing his PTC introducing Flight 19. Sebastian is in the foreground.

What am I saying?

Back at the memorial. Matt is checking his Zapruder while Bruce waits on his spot. The two honor guards, A.J. Severillo and Richard Combs loosen their legs during a break between several takes.

Back at the tarmac. Another introduction PTC is done before the Avenger as it turns over its engine. Bruce discusses it here with Seb and Robbie.

Bruce listens to the take. Seb is at the camera, Martin is at left. Sarah has her back to me; Matt and Robbie can be seen in the background.

Later. . . retiring to the conference room of the Jet Center with Walt Houghton. I got up to snap this while we took a break. Walt is assistant to the Director of Aviation for Broward County, and designer of the memorial on the airport, plus a member of the NASFTL historical society. I had talked to Walt for my last show for the History Channel. It was a pleasure to finally meet him. Aircraft buffs and enthusiasts usually know of each other somehow. Walt also knows Rhonda Kimbrough who appeared with me on my History Channel segment and who also excavated a P-40 from a Florida swamp in 1989.

The crew is setting up while Bruce, me and Walt relax.

Time to get ready. Robbie sounds Walt

Walt is barely visible, surrounded by all the paraphernalia required for indoor filming.

Seb worked the longest the next day just to get Dr. Hans Grabber “lit up” at the University of Miami extension on Biscayne Key. We used the hurricane tank room, the only chamber in the US that can create hurricane force winds. I was scheduled to fly out that afternoon and only had a few pics left to take.I devoted most of these to Seb’s positioning of Dr. Grabber. Hans is the world’s foremost authority on rogue waves. His interview was excellent, though hurried due to his schedule. Sadly, I exposed the last role of film with these pictures, thinking I had already rewound; only one was partly preserved, below.

The long hurricane tank is behind Dr. Grabber. Seb lit it blue by use of filters over the standard stage lights. The tank was turned on producing beautiful waves and splashing drops on the tank behind him as the sound of a building storm began. At the bottom of the picture, you can see Matt’s hand rocking a regular fish tank with aluminum foil in it and a light below. This created the clear wavy reflections of ocean swells on Hans’ face while the background water remained a Technicolor blue.

Well, another interesting adventure came to a close. Bruce and the crew were off to Arizona to film the bone yard of dead planes. I was back to California to prepare a number of archival photos and information for filming in London. The 19 day shoot would end on December 18. Bruce would be back out in the Triangle on January 27 to film a brief search for the Marine Sulphur Queen, following the lead of a couple of fisherman who picked up a large wreck on their fishing sonar. Debbie Corwin would come along. Though invited, I really thought I would be in the way,  so I opted to not to go.
  This hour long special should air sometime in spring on TLC. I will post the exact dates when I learn of them.

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